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    • About NashFilm
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    • Donate
    • Leadership
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  • 2026 Festival
    • VIP Badges & Ticket Packages
    • Discounted Hotels
    • Entries
  • 2025 Festival
    • Nicole Kidman: Art Meets Home
    • 56th Festival Info
    • Film Guide
    • Award Winners
    • Creators Conference
    • Festival Schedule
    • Juries
  • Sponsorship
  • Year Round
    • Events
      • Nashville Creative Sustainability Summit
      • Movies in the Park
    • Education Programs
    • Living Reel Project
    • Coverage Services
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NASHVILLE FILM FESTIVAL
  • Home
    • About NashFilm
    • NashFilm Membership
    • Donate
    • Leadership
    • Contact
  • 2026 Festival
    • VIP Badges & Ticket Packages
    • Discounted Hotels
    • Entries
  • 2025 Festival
    • Nicole Kidman: Art Meets Home
    • 56th Festival Info
    • Film Guide
    • Award Winners
    • Creators Conference
    • Festival Schedule
    • Juries
  • Sponsorship
  • Year Round
    • Events
      • Nashville Creative Sustainability Summit
      • Movies in the Park
    • Education Programs
    • Living Reel Project
    • Coverage Services
  • News
    • News

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2023 FILM GUIDE & SCHEDULE

View 2023 Nashville Film Festival film guide.

2023 SCHEDULE

View 2023 Nashville Film Festival schedule.

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LAST CALL FOR FILM SUBMISSIONS to #NashFilm57! Submit by June 15th on @filmfreeway ⏳
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LAST CALL FOR FILM SUBMISSIONS to #NashFilm57! Submit by June 15th on @filmfreeway ⏳
17 hours ago
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#NashFilm56 Narrative Feature Audience Award winner OMAHA is now available everywhere you rent movies! “An empathetic American masterpiece,” OMAHA stars John Magaro, Molly Belle Wright, and Wyatt Solis. Watch Now: omaha.film/watch
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#NashFilm56 Narrative Feature Audience Award winner OMAHA is now available everywhere you rent movies! “An empathetic American masterpiece,” OMAHA stars John Magaro, Molly Belle Wright, and Wyatt Solis. Watch Now: omaha.film/watch
3 days ago
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🎬MEET THE PROGRAMMERS MONDAY🎬 In this week’s spotlight is the talented Jennifer Bonior, who began programming our Graveyard (Horror) Shorts in 2021 and our Tennessee categories in 2025. Born in San Jose, CA, Jennifer now calls Nashville home. In addition to programming, she is a lead instructor for our Summer Film Camp for Teens! Swipe to learn about Jennifer’s programming philosophy and four favorite films (which she says are always changing)
🎬MEET THE PROGRAMMERS MONDAY🎬 In this week’s spotlight is the talented Jennifer Bonior, who began programming our Graveyard (Horror) Shorts in 2021 and our Tennessee categories in 2025. Born in San Jose, CA, Jennifer now calls Nashville home. In addition to programming, she is a lead instructor for our Summer Film Camp for Teens! Swipe to learn about Jennifer’s programming philosophy and four favorite films (which she says are always changing)
🎬MEET THE PROGRAMMERS MONDAY🎬 In this week’s spotlight is the talented Jennifer Bonior, who began programming our Graveyard (Horror) Shorts in 2021 and our Tennessee categories in 2025. Born in San Jose, CA, Jennifer now calls Nashville home. In addition to programming, she is a lead instructor for our Summer Film Camp for Teens! Swipe to learn about Jennifer’s programming philosophy and four favorite films (which she says are always changing)
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Follow
🎬MEET THE PROGRAMMERS MONDAY🎬 In this week’s spotlight is the talented Jennifer Bonior, who began programming our Graveyard (Horror) Shorts in 2021 and our Tennessee categories in 2025. Born in San Jose, CA, Jennifer now calls Nashville home. In addition to programming, she is a lead instructor for our Summer Film Camp for Teens! Swipe to learn about Jennifer’s programming philosophy and four favorite films (which she says are always changing)
5 days ago
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3/4
Next week on Thursday at the @fristartmuseum, join us for an exciting screening and conversation in conjunction with the exhibition International Surrealism from Tate: Fifty Years of Dreams. Presented by Sarah Childress, PhD, “Breaking Out, Breaking In” pairs two landmark films to showcase how the surrealists and those influenced by their ideas used film as an instrument of liberation. Luis Buñuel and Salvador Dalí’s Un Chien Andalou (1929) is brazen, confrontational—a deliberate assault on social and sexual convention. Maya Deren’s Meshes of the Afternoon (1943) burrows inward, a patiently relentless descent into a confining psychic architecture, to find the way out. One lunges outward, the other sinks inward; both are trying to break free. NashFilm members receive complimentary gallery admission and discounted parking! We hope to see you there.
Next week on Thursday at the @fristartmuseum, join us for an exciting screening and conversation in conjunction with the exhibition International Surrealism from Tate: Fifty Years of Dreams. Presented by Sarah Childress, PhD, “Breaking Out, Breaking In” pairs two landmark films to showcase how the surrealists and those influenced by their ideas used film as an instrument of liberation. Luis Buñuel and Salvador Dalí’s Un Chien Andalou (1929) is brazen, confrontational—a deliberate assault on social and sexual convention. Maya Deren’s Meshes of the Afternoon (1943) burrows inward, a patiently relentless descent into a confining psychic architecture, to find the way out. One lunges outward, the other sinks inward; both are trying to break free. NashFilm members receive complimentary gallery admission and discounted parking! We hope to see you there.
Next week on Thursday at the @fristartmuseum, join us for an exciting screening and conversation in conjunction with the exhibition International Surrealism from Tate: Fifty Years of Dreams. Presented by Sarah Childress, PhD, “Breaking Out, Breaking In” pairs two landmark films to showcase how the surrealists and those influenced by their ideas used film as an instrument of liberation. Luis Buñuel and Salvador Dalí’s Un Chien Andalou (1929) is brazen, confrontational—a deliberate assault on social and sexual convention. Maya Deren’s Meshes of the Afternoon (1943) burrows inward, a patiently relentless descent into a confining psychic architecture, to find the way out. One lunges outward, the other sinks inward; both are trying to break free. NashFilm members receive complimentary gallery admission and discounted parking! We hope to see you there.
Next week on Thursday at the @fristartmuseum, join us for an exciting screening and conversation in conjunction with the exhibition International Surrealism from Tate: Fifty Years of Dreams. Presented by Sarah Childress, PhD, “Breaking Out, Breaking In” pairs two landmark films to showcase how the surrealists and those influenced by their ideas used film as an instrument of liberation. Luis Buñuel and Salvador Dalí’s Un Chien Andalou (1929) is brazen, confrontational—a deliberate assault on social and sexual convention. Maya Deren’s Meshes of the Afternoon (1943) burrows inward, a patiently relentless descent into a confining psychic architecture, to find the way out. One lunges outward, the other sinks inward; both are trying to break free. NashFilm members receive complimentary gallery admission and discounted parking! We hope to see you there.
•
Follow
Next week on Thursday at the @fristartmuseum, join us for an exciting screening and conversation in conjunction with the exhibition International Surrealism from Tate: Fifty Years of Dreams. Presented by Sarah Childress, PhD, “Breaking Out, Breaking In” pairs two landmark films to showcase how the surrealists and those influenced by their ideas used film as an instrument of liberation. Luis Buñuel and Salvador Dalí’s Un Chien Andalou (1929) is brazen, confrontational—a deliberate assault on social and sexual convention. Maya Deren’s Meshes of the Afternoon (1943) burrows inward, a patiently relentless descent into a confining psychic architecture, to find the way out. One lunges outward, the other sinks inward; both are trying to break free. NashFilm members receive complimentary gallery admission and discounted parking! We hope to see you there.
1 week ago
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